Coconut Crab in ink

ballpoint pen original by Téa Yates

I put up this beautiful image, gifted to me by my daughter, on prominent display in my office. A sunwashed corner of a high-rise. Where I failed – I failed – was to understand that during my extended COVID induced absence from the office, the sunshine would wash this rich and wonderful drawing to a barely visible outline. I was on the verge of tears at what I had done (or failed to do). What you see above is a partial restoration courtesy of a high resolution scan and Adobe Lightroom. Still working on it.

Jacob Marley retells Christmas Carol from the other side

marley

Just enjoyed Jacob Marley’s Christmas Carol this evening at the Jericho Arts Centre. The familiar tale from Marley’s perspective. It was a well acted, spooky, and minimalist production. Satisfying and fit for a family that wants to get into the Spirit of the season.

Jacob Marley’s Christmas Carol is at Jericho Arts Centre until Dec. 18. For tickets, call 604-224-8007 or go to brownpapertickets.com. 

“Jacob Marley was dead.” In Charles Dickens’ A Christmas Carol we know that Ebenezer Scrooge’s business partner is “most sincerely dead,” but we don’t know why he comes back on Christmas Eve to haunt Scrooge’s bedchamber. What’s in it for Jacob Marley?

That’s where playwright Tom Mula begins: Marley is in the Counting House, a sort of antechamber to the next world, where he awaits his everlasting fate. The Record Keeper (David C. Jones) offers him a deal: to avoid going to Hell, Marley must reform Scrooge, “the only man worse than I,” claims Marley.

Accompanied and guided by the Bogle — a hobgoblin or ghost — Marley visits Scrooge’s past, present and future in his efforts to redeem him. On their journey we learn about Marley’s own childhood and discover why he turned out as warped as he did.

Source: Jacob Marley retells Christmas Carol from the other side

perchance to dream

best Hamlet yet.  Yesterday's natinee performance of Hamlet at Bard on the Beach was the best of the three versions I've seen, due mainly to Jonathon Young's interpretation of the title role.  From the Strait:  

It’s Young’s work in the central role that ignites the evening: in his mouth, every word of the familiar text is new. “Hold, hold my heart,” Young’s Hamlet gasps when he sees his father’s ghost, and you can feel your own heart constricting in your chest. “I have sworn it,” Hamlet says after pledging revenge, and you just know he’s surprised himself and he’s shit-scared that he may have made a pact with the devil. Young’s Hamlet is witty and painfully raw, notably when he dresses down Rosencrantz and Guildenstern, supposed friends who are spying on him for Claudius.

via www.straight.com

Indeed Young's addition of just enough wit to the weight of the role outdid previous Hamlets who have kept the anger and depression too visible and on the boil.  Rachel Cairns' Ophelia was excellent as well, striking the right balance of fragility and strength.  Great also to be reminded of the many many quotes from Hamlet that have entrenched themselves in modern culture (e,g, “Brevity is the soul of wit.”). I suppose i should also mention the 'modern' interpretation – guns, cell phones, ipads, etc.  I expected to be annoyed and distracted and it to feel gimicky, but it worked.

2 thumbs up.